ID Shoot

ID Shoot

Yesterday we were put into groups and we were tasked with shooting a very quick cover for a magazine of our choice, the cover was for a interview article so we had to take some portrait images.

asap-rocky_id-magazine_pre-fall-2014_thbWe decided to look through some magazines that we had for inspiration and we really liked i-D magazine that Molly Percy had in her bag. The first thing we really liked about the cover was how i-D always obscure one eye on the front cover. So we felt this was a perfect opportunity  to use the split lighting that we were taught about earlier in the day.

Split lighting is where you essentially get half of the subject lit up and the other half is covered in a strong shadow on the other side of the face.

 

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Lighting Plan for shoot

So for the shoot we had a simple one light set up, with the light on the right of our model Sonia. We always had the light at eye level with Sonia. We also placed the light a few paces forward of Sonia so most of the right side of her face got covered by the flash.

Along with the lights I also put myself at eye level for the majority of the shots. There were a few shots where I shot from a lower angle to give a dramatic pose. Below are a few of the selects that we made as a group.

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ID Cover.jpgIn the end we chose this image for out i-D cover. We really liked the dramatic pose that was created by the low angle. We had only one complaint about this image. Technically there aren’t any eyes in this image. To which I noticed this but the posture was just perfect for what we’re saying in the article that would be in this magazine.

We asked Simona, who is your favourite artist or musician. She said Lady Gaga so we want to Gaga-espq posed and this one was perfect. Upon further inspection of the RAW files there were some good poses that would have been better, with the eye showing. However I still think this is a really good image.

 

Here is a link to our edit

Celebration Image

Celebration Image

A few posts ago, I talked about the images I took at Charlton Atheltic vs AFC Wimbledon. I’m now pleased to say that my celebration shot is currently being used as the main image of the clubs official website. As far as I know, this is the firsy time they’ve used an image for this that wasn’t taken by Press Association.

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Publications Homework

Publications Homework

Over the last two weeks, I’ve had a studio photography homework. For said work, I’ve had to collect eight images where a photographer would’ve been commissioned or used. After finding eight images we had to research the photographer who took said images. This involved finding there phone number, email address, website, social media feeds etc. To which I managed to find most information for each photographer some information couldn’t be found and weren’t even applicable for some of the photographers I looked at.

Below are the publications that I found for the homework. One of which, the Daniel Hambury one came from personal knowledge of him. Because I knew Daniel, I could identify him in this behind the scenes image.

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Please click on this link to view all the information I recorded about the photographers that took these images. Some of which have a few notes about the lighting of the image:

 

 

Tate Modern

Tate Modern

After visiting the National Gallery on Friday, we went on to Tate Modern where unlike the National Gallery. We were given free movement, we could look at any exhibit. All we had to do was come back with one photography piece and one other art form so video art, sculpture, painting etc. We were also told to pick out a photo book we would recommend.

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Karl Blossfeldt

For photography I chose an exhibit from the Boiler House. I really liked the “The Photographic Portfolio: Karl Blossfeldt and Germaine Krull” room. I really liked Blossfeldts ingenuity for his work. He is well known for his macro shots of “intricate shapes of natural and man-made forms“. The ingenuity is that these pictures were taken with a homemade camera with a lens with special level of magnification that could only be achieved by it being homemade. I really like this quote from the board that talks about why he did the work that he did “exemplified his belief that although there is a profound difference between nature and art, all forms of design have their origins in nature“. I really like the abstract feel whenever I look at one of his images I wonder if the subject is natural or man made it is tough to say and sometimes I’m wrong.

 

tehchingThe other piece of work that I really liked was in the Blavatnik Building. This was a piece of video art. Tehching Hsieh One Year Performance. I really liked it when I stepped into the room and the first thing I could see was every single image that was included the one and a half minute time lapse. I really liked it that at a quick glance every image looked exactly the same, however when you look at the enlarged versions in the time lapse you can notice subtle differences like the shirt colour. When I looked in the room, I couldn’t even begin to imagine the amount of dedication that would’ve been put into this project, taking a photo every hour for 365 days.

9780500292914Finally for the photo book I came across this one called Magnum Contact Sheets. I would recommend this book because we are now in a world where the most important aspect of photography is in the edit, I think this book would be very helpful, it would give people an idea of what certain photographers look for to make decisions about how to get that final print.

 

National Gallery

National Gallery

On Friday my class went on a trip to both the National Gallery and Tate Modern. In this post I was be looking at my visit to the National Gallery where we looked at paintings.

We were given a wide range of paintings to look at paintings from the likes of Rembrandt, Constable and Van Dyck to name a few. I must admit I struggled to find inspiration whilst looking around because I’m use to looking at photographs. Which when I say it sounds silly because photos and paintings are the same, they both freeze time. However the process of making a photograph really is different to that of making a painting.

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Self Portrait At The Age Of 63″. Rembandt. 1669

One painting I did really like though was Rembrandts “Self Portrait At The Age of 63”. I really liked how the light is focused on his face. The tone of the painting is dark however the colours of the face seem to be bright and form a strong contrast with the background as a result the face is clearly the point of focus. It feels like a shallow depth of field.

Charlton Athletic vs AFC Wimbledon

Charlton Athletic vs AFC Wimbledon

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Billy Clarke battles Jimmy Abdou. Ben Peters. 2017

Today I was at the Valley covering Charlton Athletic vs AFC Wimbledon. I was one of the photographers that was covering the game for Charlton and I was also covering the game for my local paper the Newshopper. My 22nd football match of the season.

 

 

 

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Ricky Holmes celebrates his goal. Ben Peters. 2017

This is one of the best images that I have taken since I started my sport photography adventure. I was glad to get this shot because I wasn’t able to capture the goal because the player was too close for my 70-200. Also I didn’t anticipate him to shoot. However I made up for that by capturing this shot of the celebration. I’ve really captured the emotion of scoring the winning goal. Sport photography really is a case of being in the right place at the right time.

You can view the rest of my images from the game here.

My next football match is Charlton Athletic vs Fulham U23’s on Wednesday night.

Photo Uses:

 

 

Finbarr O’Reilly Podcast

Finbarr O’Reilly Podcast

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Finbarr O’Reilly. Helmand. 2010

For this weeks homework, I had to choose a podcast to listen to from A Small Voice. After having a quick browse through the photographers available I found one from Mark Neville, I already knew that I couldn’t really listen to that one because I had just had a full talk with him. However it did remind me about his work in Helmand Province. This whole idea of war photography was something that I wanted to have a look into. So I had another look through the available podcasts and I came across British-Candian photographer Finbarr O’Reilly.

finbarr-oreillyFinbarr O’Rielly spent 12 years working as a correspondent for Reuters the international news agency. He was also a staff photographer and was based in West and Central Africa. Over here he covered conflicts and social issues in countries like Niger, to which in 2006 O’Rielly won the 2006 World Press photo for his

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Finbarr O’Rielly. Niger. 2005

documentation of the 2005-06 Niger food crisis. I know that it’s tough to like this image however the chosen equipment really made this an effective shot. On the World Press Photo site it says that he wanted to shoot this image on his wide angle lens. However he didn’t have time to switch lens so he caught this on his 70-200. The image feels much more striking now, the shallow depth of field instantly throws our eyes to this small malnourished hand. I think if this was shot on a wider lens like a 24-70, the shot wouldn’t of been as effective.

 

 

witness-afghan-ambushAfter covering problems in Africa. O’Reilly was frequently deployed with Coalition forces in Helmand Province between 2008 and 2011. He would go on and appear in Under Fire: Journalists in Combat a 2011 “documentary film about the psychological costs of covering war“.

In the conversation with Ben Smith. Finbarr described himself as “inpatient” He said “when I was in Canada I saw the journalist in the newsroom who were a generation older than me, none of those newspapers in Canada were going to send me overseas, as a correspondent you had to work your way up through the paper for the 20 years” to which he followed it up with “I was inpatient, I just wanted to go” To which we he eventually went overseas he found out that many of the Reuters correspondents were of a similar age to him “25, 26, 27” “It suddenly felt like there is space for our generation in a news context“. O’Reilly added this “The younger, the single are usually the ones more willing to go to these difficult posts“.

MUTUAL FEELINGS
Finbarr O’Reilly. Gaza. 2014

I really liked this section when Finbarr was discussing Isreal. “final straw for me … was covering the Isreali offensive … and all the pictures looked the same … felt I wasn’t capturing images, I was just maintaining an image of what this war looks like” I think this shows that photojournalism can be very repetitive, he also said that he was saying he got the same images in Gaza. He got the same images in other conflicts. “big fire bomb, clouds rising over smashed cities, grieving relatives and blown up bodies” these were all things that had been captured in other wars and O’Reilly had enough of effectively taking the same image over and over again.

He also reflected on what all photographer get spoken about. When theres a terrorist attack, the photographers who cover the event always get blamed for not helping the injured. This was said in the podcast. “Your seeking as a photographer to condemn this violence, but I ultimately was feeling like I was complicit

Nadia Ryder

Nadia Ryder

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Nadia Ryder working on a water shoot

Last Friday my class had a talk from ex Ravensbourne student and fashion photographer Nadia Ryder. Ryder has worked for a wide range of clients from Google, Nike, Comic Relief and Microsoft to name a few. I really liked this talk because it was good to hear from someone who has gone through the same process as us. So she could give us some of her experiences from when she was our age.

 

The first bit of advice about the industry that I received was that your ‘big break’ can really come from anywhere. When Ryder was exhibiting her FMP at Ravensbourne. A member of an ad agency looked at her work and she was approached about shooting up to date pictures for Mcdonalds. Even though she didn’t like the end result she was still glad to have this very unexpected opportunity.

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Stylist Magazine 2017

The second bit of advice I learned was all about working with models. We were told that “some models will do shoots for free to just get there name in some magazines“. It was good to hear this because I have a project coming up where I need to make contact with a model and they are bound to talk about money. We were also told “offer test shots for portfolio“. This is another way to spin a model towards doing work for free because they like photographers need up-to date portfolios. So if we can’t pay them, we could at least give them a piece of there portfolio.

 

 

The third and possibly most important bit of advice we got was about finding work in the industry. Earlier in the week Julian spoke to us about ways to find work, cold-calling, cold-emailing etc. To which Nadia recommended emails but we were told “don’t write long emails“. Instead write smaller emails where you mention about your photography and give a link to your most recent work, but try to avoid the lines of “I would love the opportunity” imagine if you received a long email from someone you don’t know would you read it, probably not. Also like assisting “send a second follow up email if you don’t get a reply, but don’t follow up again“. As a matter of fact, I got my big break in sports photography with a cold-email.

One final bit of advice we received was about social media. We need to keep a strictly professional social media feed. To which we should make Instagram a priority. To which we should have a separate personal Instagram or just have a professional one. We were told a story about an assistant who she knew. By all accounts she could have gone really far however she didn’t keep her personal and professional life separate on her Instagram. To which she uploaded photos of her drunk Friday night on the same place where her portrait work is. Eventually an email was sent out essentially blacklisting her from any work. She’s now given up on photography and moved away “out of embarrassment” we were told. Even though I’m not the type of person who would do something like that, I’m now in the process of creating a new professional Instagram and making my existing one my personal one. To which my professional will show both my sports photography and my Ravensbourne work, to which my personal Insta will be for my friends and maybe a bit of my personal work.

Also I have a personal Facebook and a Facebook page. I also have Twitter which is now a professional account.

 

Initial Research

Initial Research

I have until March to fulfil two projects for Studio photography. I feel I should start this project by summarising what my initial research will be.

Mono

The first project is a sunglasses campaign for a magazine that is aimed at 16-30 years old with a 50/50 split of male and female in their audience.

6.jpgIMG_0264The first bit of research I will be do for this project will involve taking photos of people on the street wearing sunglasses.  I thought of this when I read this line in the brief, “no two people wear the same glasses the same way“. I feel it would be a good idea to explore if the clothes that are worn have an affect on the sunglasses. Maybe if someone is wearing a suit do they wear there sunglasses formally like the person above. Maybe if someone is wearing less formal clothes, there glasses might be scruffy. They might not be. Essentially I want to see if theres any correlation between the subjects clothes and there glasses.

I’m also going to look at how sunglasses are advertised through photography.

Fanzine

The other studio project is to create a Fanzine about one of our interest. So the first bit of research I will do is create a mind-map of what my interest are.

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Front cover of the next edition of VOTV

The second bit of research I will do is read some fanzines. I will collect one on Saturday when I’m at Charlton Athletic where they have Voice Of The Valley which is “an independent Charlton Athletic fanzine”. It is a monthly copy. Hopefully this will give me an insight into how to portray my interest to which this a bunch of Charlton fans talking about there interest in there club.

 

So finally I will also research into the history of fanzines, when did they emerge, how have they been used, famous ones etc.

Research Task

Research Task

Earlier this week I was given a studio based research task. I was told to find 8 images where a photographer has been commissioned to take an image for said newspaper or magazine. To get started I decided to do one that I have prior knowledge of.

IMG_20171022_141413.jpgThis was a shoot that was done for my favourite football team Charlton Athletic. They needed a photographer to take photos of the teams new home kit to which the shots were later used for advertising purposes with the clubs sponsor. The next step was to find out who took this image.

 

 

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We got to the start of the programme we have a list of photographers who have contributed to this programme. There was a familiar name in this one. I decided to look up PA images. This is because I know that Press Association provide the official photography for Charlton Athletic so I would expect an official photoshoot for the club would be done by a PA photographer.

Screen Shot 2017-10-22 at 14.28.22So I went on PA Images and I searched up “Charlton Athletic kit”. Then I found the image I was looking for. Where I have access to everything. The photographer, resolution and the date.

Now I decided to look in to this Daniel Hambury. So I searched him up on Google and I Screen Shot 2017-10-22 at 14.32.43.pngfound his official company Stella Pictures Ltd. On his about page, I now know his phone number, his email address & where he is based.

Number: 0813 022858

Email: stella.pictures@mac.com

Based: London

On his about page there was also a link to his social media pages. He has a Facebook and Twitter page. He hasn’t got a link to it yet but he also has an Instagram page which it seems like he started it very recently.

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The other reason why I know that Daniel Hambury did this photoshoot is because of a Behind the scenes that Charlton did of the day. In this video I was able to get an insight into what type of lights he was using.

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Daniel Hambury

And finally the final reason why I knew he did this shoot was because I myself know Daniel. I’ve shot alongside him at numerous Charlton Athletic games. Thats why my name is in the Charlton programme alongside PA and other photographers. He is a very nice person who is always happy to chat especially about photography. Theres been times where I’ve felt nervous around him because all he really wants to do is help. Ever since he introduced himself to me and he realised that sport photography is my passion he has sort of looked out for me when I’m at Charlton, asking me how my photography is going, any commissions I’m doing? etc.

Even though I personally know him, it was still a good exercise searching him up and finding out his contact details. To which now that I’ve done it once, I’ll feel more confident finding out details about photographers who I don’t know.