Cultural Geography Lesson 6: Non-Representational and Affective Geographies

Cultural Geography Lesson 6: Non-Representational and Affective Geographies

What is a social location? It refers to how we are located in relation to power systems in society like race or class. One’s social location could limit one’s access to certain spaces.

For example, take the Harvard Club in New York. A private social club that is solely for the alumni of Harvard university. Also Muirfield golf club, you weren’t allowed to be a member if you were a woman. The commentator Peter Alliss the ‘voice of golf’ said this when asked about it “If you want to join, get married to a member. The wives can use all the facilities at the club for free. The clubhouse is full of bloody women; they love going there for nothing

Image result for 9/11 firemenOne interesting case study which was mentioned was about being prepared for emergencies. We tend to mention things being pre or post 9/11. This is definitely the case here. Emergency services have a really long history of rehearsing scenarios to enhance their response to emergencies. These were known as drills and they were done so that when there was a real fire, they knew what to do.

Image result for Terrorist attack exerciseHowever, after that fateful day drills are now known as exercises and they tend to be more based around an event that in the past were considered impossible. It makes you think back to the line from World Trade Centre “We prepared for everything. Not for this. Not for something this size. There’s no plan.” This is seen by the numerous terrorist attack exercises, it’s an event where you don’t want to think will happen, but it’s good to know services are preparing for such an event. However, there will always be events people can’t prepare for, like a plane flying into a tower or the modern attacks of driving a van onto the pavement. Also, we can do test runs, but we still won’t be prepared for the day it actually happens for real, no exercise can prepare for the adrenaline the real event will bring.

Cultural Geography Week 5: Ethnography

Cultural Geography Week 5: Ethnography

The definition of ethnography is “the scientific description of peoples and cultures with their customs, habits, and mutual differences” it is much easier to understand when you turn to Latin. Ethno is Culture & Graphy is Writing so ethnography is cultural writing.

Screenshot 2018-12-11 at 14.00.38.pngIn a nutshell, it is all about putting yourself in the environment you want to learn about. It is a form of primary research. Imagine you want to create a movie about an indigenous group like the Maori’s. If you want to create an accurate portrayal of them you have to research them, how are you going to do that? Gonna read about them, interview them or are you going to get involved with them, get an insider perspective. My foundation tutor Tom Hooper had to write a story about someone walking miles for days on end, so he walked across Wales day and night to get a first-hand experience and learn what he needs to portray.

Screenshot 2018-12-11 at 14.07.37.pngThere are many ways you can record your findings, you could conduct interviews, you could make mini notes which can be increased on in a bigger notebook later. You could create audio notes. You could video or photograph your experience. Essentially you are inside something you need to learn about, there is a fantastic resource at your disposal. So document it however you feel best.

Of course, you need to respect whoever your learning from. If you’re documenting an isolated tribe they might be scared if you thrust a camera in their face.

 

Cultural Geography: Tutorial

Cultural Geography: Tutorial

  • Sounds like a debate of what is nature, what is natural
  • When watching nature documentaries people are upset when they see dead animals, yet it’s natural
  • Dynasties is good at humanizing animals, it portrays them in a human narrative, plays out like a soap opera, does this make nature look normal
  • Parks are heavily curated, the wildest places you will find in London are railway embankments. The only place where nature has taken it’s course and it’s where humans combat nature.

Cultural Geography Week Four: Mobility

Cultural Geography Week Four: Mobility

  • Mobility is the movement of people, ideas and things, together with the social implications and politics of those movements
  • ‘Mobility is the movement of anything’
  • Sometimes mobility is related to freedom [able-bodiness, socio-economic and the ability to travel freely]

Screenshot 2018-12-09 at 20.09.20.pngWe mentioned mobility through the sense of Air as well. Increases in technology has technically shrunk the world. When the jet was emerging people in the UK still wanted to take holidays to Skegness or Weymouth. Now people want to go to New York or Miami ’cause they have an affordable way to get there.

When it had emerged people still questioned about taking holidays to Australia or New Zealand at the fact it will take two flights taking over a day. However, we now get flights that are direct from London to Perth.

Screenshot 2018-12-09 at 20.20.06.png
Dawn of the Planet of the Apes

This advance is also a massive drawback. We’ve all seen Dawn of the Planet of the Apes. A man gets infected with the unknown ALZ-113 virus, he works as an airline pilot & whilst walking through the airport, everyone he walks past becomes infected. So now the virus is spreading across the world and it eventually leads to the wipeout of humanity. Ok, this hasn’t happened in real life, however, this shows how an outbreak like Ebola could lead to a worldwide epidemic. The black plague happened ’cause of rats that came over from ships in Eastern Europe.

 

Saturday Supplement Reflection

Saturday Supplement Reflection

Ben_Peters_Saturday_Supplement_Article_Spread_2In this post, I’m going to summarise my experience from my Saturday Supplement project.

 

 

 

 

What Went Well:

  • Studio Manager

My studio manager Eman Rostum was very helpful not only in the shoot but throughout the entire project. At first, it was a bit of a shock about the vast amount of responsibilities that were being placed on her. However, when we sat down we were able to discuss what we were all going to get out of this project, we came to an understanding and we’re confident going forward. Eman was very keen to learn the processes of booking equipment out and risk assessments.

On the shoot Eman was very helpful once again as my camera assistant/digi op. She had to deal with me being pretty indecisive as regards to my lens choice. She found herself going backward and forwards getting lenses from 213 and changing. As regards to her role as Digi Op, she always had her eyes on the focus of the image and she was always to remind me if the composition of an image needed correcting especially as a few images saw Hayden’s foot go off the frame.

Overall I was very happy with Eman’s contribution as my studio manager/assistant

  • Images

Screenshot 2018-11-25 at 19.05.55I was impressed with the images that I created in the studio, I wouldn’t exactly extend to saying that I was very happy with them. However, there were definitely some images that stood out. One image in particular I loved was the one where I got Hayden to lie down behind the guitar, I liked the leading lines that led to him.

 

  • Experimentation

Screenshot 2018-11-25 at 20.07.25I felt that I had all the shots covered with half an hour before the end so we decided to spend the rest of the time I decided to experiment with some long exposure images trying to get some motion blur on the hand going up and down the guitar. In the end, this shot didn’t work but I glad that I tried it. This probably would’ve needed a very tough and precise lighting set up.

 

  • Layout & Flow of images

Full copyI’m very happy with my choice of layout, I think there is a very nice flow to my choice of images and this was seemingly echoed by Geraint when he had a sneak peek the day before the deadline. He noted how the first image was just a portrait, so it doesn’t show that he is a guitarist, he also concurred that the eyes pointing towards the article is a good leading line especially considering that the first thing we see in an article is the right-hand page. Then the next image Geraint noticed on how he wasn’t touching the guitar, so the first image we have a man, next image we have a man & a guitar then in the next image the two are being held by one another. There is a connection between the two. Click on this link to see how my article has progressed.

Even Better If:

  • Variety of Images

Screenshot 2018-11-25 at 19.09.09As mentioned, I was impressed with the images but I wouldn’t extend to saying I was very happy. The reason why is because there doesn’t feel to be much consistency between the images, for example, the image on the left was the only one where the logo of the guitar was sharp, notice how there is minimal light on the background, unlike the other images. It doesn’t really feel that defined. This also happened because of the focus of the image was intended to be the hand. It was only when I looked at the images in Capture One that I saw the sharpness of the logo and I felt that one works better for the article. There was also some images which just felt a tad bit repetitive which Geraint can see why I felt that way but he also thought I’d got a lot out of very little ’cause ultimately a man, a guitar and a white background isn’t really much to work with when you think about it.

  • Size of the team

Ultimately this task was more about man management and having the ability to control a team of individuals. I’m not really sure if I can say I’ve ticked that box. Yes I had Eman & Hayden but that was it. I didn’t have a Makeup artist or a stylist so this meant the shoot was done with minimal crew. I remember Julian saying in my tutorial that it would be a shame to do the shoot with a small crew considering the amount of work I put into the pre-production of the shoot.

  • Phase One System

Obviously, I did a test shoot for my project, I wanted to try out lighting setups and poses, however, I guess you could say that it would’ve been impossible to truly prepare for this shoot. This was because the shoot was done with the Phase One system. Test shoots could only be done on our own DSLR’s so there is a massive difference not only in image quality but also angles. Another thing is that I practiced with a zoom lens to which Phase One only has prime lenses. Another thing I had to remember was the difference in focal length. 50mm on Canon is not 50mm on Phase One. I remembered this two weeks before my shoot so I was very grateful for the Phase One refresher that was set up by Geraint & Julian, this gave me a chance to remember how to operate the camera [focus recompose] but also get an understanding of which focal length is best. I stayed back to help at the 2nd Phase One refresher which there were a few hiccups in my knowledge but I was happy to teach my peers as it not only meant they learned the system but it also helped me to remember it.

  • Restricted Movement

Phase One can’t be shot handheld, so this meant that a few shots I was hoping to create would’ve been very tough to create on Phase One, or at least not create to the best of my abilities.

Overall I’m pleased with my images but I don’t feel I used the Phase One camera to the best of it’s abilities and I wish I came out of the shoot with more to show for. That’s why I’m viewing this shoot as a missed opportunity

  • Ignorance

I think it’s fair to say that my ignorance of music & guitars showed during the shoot. When I was showing the images to my Dad he noted on how Hayden had a Telecaster Fender which he said is a very expensive guitar, I said “if you say so

Influences in Sports Photography

Influences in Sports Photography

Philadelphia Eagles tight end Zach Ertz (86) rolls into the end zone for the touchdown in the fourth quarter of Super Bowl LII Sunday, February 4, 2018 in Minneapolis, Minn. The…
Image: Minneapolis Star Tribune/TNS/ABACA/ABACA/PA Images

I think it’s very tough to pick a sports photographer as an influential one. Were in a day where there are hundreds of photographers creating content every day so it can be very tough to stand out in the very competitive market. It was initially that if you shot from the stands you stood out from the rest however a fair amount of photographers do this now so it doesn’t really stand out.

Image result for Michael Regan Leicester city
Michael Regan/ Getty Images

Obviously, this isn’t like street photography. It is very tough to look at a sports image and be able to pinpoint a photographer who shot it. I myself am more inspired by the access that each photographer gets. For example, Michael Regan who is represented by Getty Images, little did he know he would be covering Leicester City during their monumental 2015/16 where they won the Premier League with odds of 5000/1. I was a big fan of his documentation of this fantastic campaign where us football fans were able to dream once again. His portfolio propelled him to top of the sports photography industry not only because he was able to produce such fantastic images but because he got such special access. He has continued shooting for Leciester City on behalf of Getty ever since and he got to cover the touching memorial for the late owner Vichai Srivaddhanaprabha.

Insurance

Insurance

Screenshot 2018-12-06 at 13.24.34One thing I’m gonna need as a freelance sports photographer is public liability insurance. My premium will be dependent on what division I shoot in. If I want to photograph Premier Leauge matches I have to be covered to the value of £5 million if not, I only have to be covered for at £2 million. PLC is something that I won’t have to worry about if I’m employed by someone. But will still need it if I intend on being self-employed.

Of course, I need to insure my equipment as well to protect myself from it being damaged or even stolen.

Experience: Problem with the Local Press

Experience: Problem with the Local Press

One experience which I reflected heavily on in my career strategy was a dispute I had with the Newshopper. Before I explain I’m going to say this has been long in the making and I feel is mostly my fault.

July last year, I was approached by the Newshopper asking if I could be there main photographer for the upcoming football season covering Charlton Athletic, Millwall & Crystal Palace. We had a phone call, spoke about where and how the images will be used, what needs to be covered etc. I decided to go for it believing it would be a great experience however we didn’t mention payment, I being the idiot that I am thought not to worry, they’ll mention it later.

Screenshot 2018-12-06 at 12.07.24.pngWell here I am, 15 months later and there is no mention of payment. After a conversation with fellow photographer Daniel Hambury I realised that I couldn’t work for free, I was setting back fellow professionals along with setting back myself. This is an argument I’m aware of and I knew it was gonna happen to me at some point. I just needed someone to tell it to my face. So after talking to my friends, I decided to email the journalist and say that I’d had enough and I wanted to leave. I didn’t ask for them to start paying as the damage had already been done. Also, I knew payment would never be available considering their reluctance to even pay expenses.

This was the reply I got:

Screenshot 2018-12-06 at 12.09.15.png

I was focusing heavily on his choice of words “Yes, Shopper can’t pay photographers a match fee, so we predominantly use students. I don’t think there’s anything wrong with that as we’re getting them into games where they gain much-needed experience” It was the old excuse of doing work for exposure also the journalist had no idea I was a student when I was approached.

I was pretty much set on my decision to leave, my classmates and my tutors agreed with my reasoning but I wanted to get more advice before I truly committed. So I contacted Chris Frazer-Smith. I only wanted his opinion on the above quote but he came back to me and asked 8 questions so he could make a more well-rounded judgment on the situation.

Screenshot 2018-12-06 at 12.13.28.png

Screenshot 2018-12-06 at 12.12.52In the end I have now officially left the Newshopper. I explained my reasons and apologised if any of them seemed unfair or even self-inflicted. I did say I would probably be up for a chat after 2nd year but I don’t think I will. Deep-down I’m not sure if I will still be shooting sports by then, I think my passion might burn out by then.

Tutorial with Julian

Tutorial with Julian

Last week I was able to sit down with Julian and get some advice for my career strategy. Below is what Julian recommended

  • Look for internships [Mentioned that I’ve applied for an internship at PA Images]
  • Look at Thomson Reuters, to get an insight into world affairs, then I’ll probably be referred to the sports picture desk
  • Both of the above should be for Easter & Summer
  • Julian felt I have to mention about the debacle I had with the local press over payment and he recommended that I quoted the advice that Chris Frazer-Smith gave me.
  • Look at the NUJ as regards to expenditure, see if anything can be passed onto the client, remember to sign up as a student member its only £30 for the duration of my course
  • Test equipment from the Kitstore, shoot video on the 1Dc for preparation for Term 2 & 3 and to make myself more well rounded
  • Julian also mentioned that I should look into where the money is spent in sports and I’ll know it isn’t on photography. Barcelone became the first football team to exceed £10 million in players wages for the season